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“SHEEN”
A PURPOSEFUL ENTERTAINER MARKED BY MELODIOUS MUSIC |
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| As against trivia churned out by many filmmakers in tinsel town, producer-director Ashok Pandit’s “Sheen” (snow) presented by Sahara India Mass Communications is an issue-based film which focuses on the plight of Kashmiri Pandits who have been living as refugees in their own country for the last so many years, thanks to the wave of terror let loose on them by self-styled mujahdeen who harped on aazadi and are being abetted by their masters from across the border. Yes, Pakistan. The film opens with a qawwali being sung at a mazaar. We have hardly started swaying to the beat of the music (of Nadeem Shravan) when a young man is seen running, carrying Sheen who has been hit by a bullet. He pants his way to a hospital. Many standing at the entrance want to know what had happened. In a moment they are joined by Pandit Amar Nath (Raj Babbar), the village teacher, concern writ large on his face. Kya hua meri Sheen Ko? he asks. He is Sheen’s father. Even as he is worried about his daughter’s life, efforts |
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are
made to persuade him to go to Geneva to present the case of Kashmiri Pandits
before an international forum, but he refuses to oblige, leaving his daughter
in a critical state. Dialogues are striking and pithy at places . Like when Sheen tells her father that they should start life afresh, he, a quintessential teacher, says ‘zindagi ko dobara shuru karna itna zaroori nahin hai jitna ise sahi disha mein shuru karna ’. As far as photography is concerned, some of the frames are picture perfect and give an idea of the scenic splendour of Kashmir. Performances? Almost everyone –Sheen, Tarun Arora, Anoop Soni, Kiran Juneja and Samay Pandit - have done justice to their roles, but it is Raj Babbar, a seasoned actor, who stands out. Last but not least, kudos to Ashok Pandit who has put together a film which deals with an important issue. Except for a minor flaw here or there, the film is a gripping entertainer. The highlights of the film’s music are that if, on the one hand, all the tracks are marked by melody, and give a distinct feel of Kashmir’s folk music, local language and the beauty of Kashmir, on the other, different tracks make us experience a wide variety of emotions and moods – romance (O sanam kuja beri and tum dua karo), anguish (aao jannat mein jahanam ka nazara kar lo), prayer (sahara chahiye – qawwali) and what have you. |
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